BIO

Swiss cellist Timothée Botbol has given solo performances in the UK, Switzerland, France, Germany and Italy, in venues including St John’s Smith Square, Royal Albert Hall, St Magnus Festival, Purcell Room, St Magnus Festival, Kings Place and Kultur-Rockt Festival. He has appeared as guest principal cellist with the Welsh National Opera orchestra and principal cellist of ensemble Collegium, as well as chamber musician with artists such as Vilde Frang and Lawrence Power in venues such as the West Wycombe Chamber Music Festival, Møn Sommerkonzert in Denmark, Concerts in The West series, the Royal Overseas League and St Martin-in-the-Fields. Other collaborations include the London Philharmonic Orchestra, Orchestre de la Suisse Romande and Orchestre de Chambre de Lausanne. In February 2017, he was awarded the Grand Prize Special from all categories at the II Augustin Aponte International Music Competition in Tenerife and is Making Music UK selected artist and a Park Lane Group Young Artist.

Starting his early musical education in Geneva at the Jaques Dalcroze Institute, he later progressed to the Lausanne Haute École de Musique and the Royal College of Music on the Artist Diploma program, under tutorship of professors such as Patrick Demenga, Alexander Chaushian and Richard Lester where he was supported by a Musicians’ Company Lambert Studentship, the Concordia Foundation, the AF Marescotti - Ville de Carouge Award and the Fondation F & M-F Minkoff.

In addition to cello, Timothée has performed as a baritone soloist, singing at Geneva’s Victoria Hall accompanied by the Geneva Chamber Orchestra as well as guitarist in the West End show "Waitress".

Cello & Piano

Bach: Sonata No.3 in G minor, BWV 1029


Beethoven: Sonata N.2, Opus 5 n.2 in G minor; Sonata N.3, Opus 69 n.3 in A major; Sonata N.4, Opus 102 n.1 in C major; Sonata N.5, Opus 102 n.2 in D major; 7 Variations on a theme by Mozart 'Bei Männern, welche Liebe fühlen' in E flat major.


Bloch: "From Jewish Life" (1924), Méditation Hébraïque, Nigun (Improvisation)


Brahms: Cello Sonata n.1 opus 38 in E minor; Cello Sonata n.2 opus 99 in F major


Boulanger: Three Pieces for Cello and Piano


Bridge: Cello Sonata in D minor; 4 Pieces for Cello and Piano


Debussy: Sonata for Cello and Piano


Frank: Sonata for Cello and Piano in A major


Prokofiev: Sonata for Cello and Piano in C major opus 119


Rachmaninoff: Sonata for Cello and Piano in G minor opus 19


Schumann: Fantasiestücke opus 73; Adagio und Allegro opus 70; Stücke im Volkston opus 102


Shostakovich: Sonata for Cello and Piano opus 40 in D minor


Webern: 3 kleine Stücke opus 11; 2 pieces for Cello and Piano (1899)


Solo Cello

Bach: 6 Suites for Solo Cello BWV 1007-1012


Don Banks: Sequence: for Cello Solo (1967)


Berio: Les mots sont allés... (1979)


Bloch: Suite n.1 for Solo Cello


Britten: Tema Sacher (1975)


Cassado: Suite for Cello


Dutilleux: Trois Strophes sur le nom de Sacher (1982)


Cheryl Frances-Hoad: Excelsus (2002)


Ligeti: Sonata for Solo Cello


Lutoslawski: Sacher Variation (1975)


Sollima: Alone ; Lamentatio


Concerto / Cello and Orchestra

Boccherini: Cello Concerto n.3 in G major, G. 480


Bruch: Kol Nidrei opus 47


Dvořák: Cello Concerto in B minor opus 104


Haydn: Cello Concerto n.1 in C Major Hob. VIIb/1; Cello Concerto n.2 in D Major Hob. VIIb/2


Saint-Saëns: Cello Concerto in A minor opus 33


Schumann: Cello Concerto in A minor opus 129


Shostakovich: Cello Concerto n.2 opus 126


 Tchaikovsky: Variation on a Rococo Theme op.33


 Vivaldi: Concerto for 2 cellos in G minor


Encores

Dvořák: Waldesruhe opus 68, Rondo opus 94


Thomas Demenga: New York Honk (1987)


Fauré: “Après un rêve”; Elegie opus 24


Korsakov: Flight of the Bumblebee


Piatti: 12 Caprices for solo cello opus 25


Popper: Spinnlied opus 55 n.1; Hungarian Rhapsody opus 68; Tarantella in G major opus 33; Elfentanz opus 39


Ralph Vaughan Williams: 6 Studies on English Folk songs


Saint-Saëns: The Swan


Tchaikovsky: Pezzo Capriccioso opus 62